Essays: First Series
Ralph Waldo Emerson
1,579 passages indexed from Essays: First Series (Ralph Waldo Emerson) — Page 10 of 32
License: Public Domain
Essays: First Series, passage 825
Elated with success, and piqued by the growing interest of the problem, they have left no book-stall unsearched, no chest in a garret unopened, no file of old yellow accounts to decompose in damp and worms, so keen was the hope to discover whether the boy Shakspeare poached[598] or not, whether he held horses at the theater-door, whether he kept school, and why he left in his will only his second-best bed to Ann Hathaway, his wife.
Essays: First Series, passage 1489
[Footnote 609: The following persons, etc. The persons enumerated were all people of note of the seventeenth century. Sir Philip Sidney, Earl of Essex, Lord Bacon, Sir Walter Raleigh, John Milton, Sir Henry Vane, Isaac Walton, Dr. John Donne, Abraham Cowley, Charles Cotton, John Pym, and John Hales were Englishmen, scholars, statesmen, and authors. Theodore Beza was a French theologian; Isaac Casaubon was a French-Swiss scholar; Roberto Berlarmine was an Italian cardinal; Johann Kepler was a German astronomer; Francis Vieta was a French mathematician; Albericus Gentilis was an Italian jurist; Paul Sarpi was an Italian historian; Arminius was a Dutch theologian.]
Essays: First Series, passage 430
I hear what you say of the admirable parts and tried temper of the party you praise, but I see well that for all his purple cloaks I shall not like him, unless he is at least a poor Greek like me. I cannot deny it, O friend, that the vast shadow of the Phenomenal includes thee, also, in its pied and painted immensity,--thee, also, compared with whom all else is shadow. Thou art not Being, as Truth is, as Justice is,--thou art not my soul, but a picture and effigy of that.
Essays: First Series, passage 125
These being his functions, it becomes him to feel all confidence in himself, and to defer never to the popular cry. He and he only knows the world. The world of any moment is the merest appearance. Some great decorum, some fetich[62] of a government, some ephemeral trade, or war, or man, is cried up[63] by half mankind and cried down by the other half, as if all depended on this particular up or down.
Essays: First Series, passage 955
Step by step we scale this mysterious ladder; the steps are actions, the new prospect is power. Every several result is threatened and judged by that which follows. Every one seems to be contradicted by the new; it is only limited by the new. The new statement is always hated by the old, and, to those dwelling in the old, comes like an abyss of scepticism. But the eye soon gets wonted to it, for the eye and it are effects of one cause; then its innocency and benefit appear, and presently, all its energy spent, it pales and dwindles before the revelation of the new hour.
Essays: First Series, passage 1446
[Footnote 559: Guido di Colonna. A Sicilian poet and historian of the thirteenth century. Chaucer in his _House of Fame_ placed in his vision "on a pillar higher than the rest, Homer and Livy, Dares the Phrygian, Guido Colonna, Geoffrey of Monmouth, and the other historians of the war of Troy."]
Essays: First Series, passage 854
He wrote the airs for all our modern music: he wrote the text of modern life; the text of manners: he drew the man of England and Europe; the father of the man in America: he drew the man, and described the day, and what is done in it: he read the hearts of men and women, their probity, and their second thought, and wiles; the wiles of innocence, and the transitions by which virtues and vices slide into their contraries: he could divide the mother's part from the father's part in the face of the child, or draw the fine demarcations of freedom and of fate: he knew the laws of repression which make the police of nature: and all the sweets and all the terrors of human lot lay in his mind as truly but as softly as the landscape lies on the eye.
Essays: First Series, passage 972
The length of the discourse indicates the distance of thought betwixt the speaker and the hearer. If they were at a perfect understanding in any part, no words would be necessary thereon. If at one in all parts, no words would be suffered.
Essays: First Series, passage 712
That they have some high-fenced grove, which they call a park; that they live in larger and better-garnished saloons than he has visited, and go in coaches, keeping only the society of the elegant, to watering-places, and to distant cities, are the groundwork from which he has delineated estates of romance, compared with which their actual possessions are shanties and paddocks.
Essays: First Series, passage 808
Every intellectual jewel, every flower of sentiment, it is his fine office to bring to his people; and he comes to value his memory[549] equally with his invention. He is therefore little solicitous whence his thoughts have been derived; whether through translation, whether through tradition, whether by travel in distant countries, whether by inspiration; from whatever source, they are equally welcome to his uncritical audience. Nay, he borrows very near home.
Essays: First Series, passage 471
That great defying eye, that scornful beauty of his mien and action, do not pique yourself on reducing, but rather fortify and enhance. Worship his superiorities; wish him not less by a thought, but hoard and tell them all. Guard him as thy counterpart. Let him be to thee forever a sort of beautiful enemy, untamable, devoutly revered, and not a trivial conveniency to be soon outgrown and cast aside. The hues of the opal, the light of the diamond, are not to be seen, if the eye is too near.
Essays: First Series, passage 37
Herman Grimm, a German critic of great influence in his own country, did much to obtain a hearing for Emerson's works in Germany. At first the Germans could not understand the unusual English, the unaccustomed turns of phrase which are so characteristic of Emerson's style.
Essays: First Series, passage 866
25. One more royal trait properly belongs to the poet. I mean his cheerfulness, without which no man can be a poet,--for beauty is his aim. He loves virtue, not for its obligation, but for its grace: he delights in the world, in man, in woman, for the lovely light that sparkles from them. Beauty, the spirit of joy and hilarity, he sheds over the universe. Epicurus[646] relates, that poetry hath such charms that a lover might forsake his mistress to partake of them.
Essays: First Series, passage 1538
[Footnote 671: Last grand duke of Weimar. Saxe-Weimar-Eisenach is a grand duchy of Germany. The grand duke referred to was Charles Augustus, who died in 1828. He was the friend and patron of the great German authors, Goethe, Schiller, Herder, and Wieland.]
Essays: First Series, passage 636
What if the false gentleman contrives so to address his companion, as civilly to exclude all others from his discourse, and also to make them feel excluded? Real service will not lose its nobleness. All generosity is not merely French and sentimental; nor is it to be concealed, that living blood and a passion of kindness does at last distinguish God's gentleman from Fashion's. The epitaph of Sir Jenkin Grout is not wholly unintelligible to the present age.
Essays: First Series, passage 570
I am far from believing the timid maxim[385] of Lord Falkland,[386] ("That for ceremony there must go two to it; since a bold fellow will go through the cunningest forms,") and am of opinion that the gentleman is the bold fellow whose forms are not to be broken through; and only that plenteous nature is rightful master, which is the complement of whatever person it converses with.
Essays: First Series, passage 22
Tall, spare, slender, with sloping shoulders, slightly stooping in his later years, with light hair and eyes, the scholar's complexion, the prominent, somewhat arched nose which belongs to many of the New England sub-species, thin lips, suggestive of delicacy, but having nothing like primness, still less of the rigidity which is often noticeable in the generation succeeding next to that of the men in their shirt-sleeves, he would have been noticed anywhere as one evidently a scholarly thinker astray from the alcove or the study, which were his natural habitats.
Essays: First Series, passage 482
We go to Europe, or we pursue persons, or we read books, in the instinctive faith that these will call it out and reveal us to ourselves. Beggars all. The persons are such as we; the Europe, an old faded garment of dead persons; the books, their ghosts. Let us drop this idolatry. Let us give over this mendicancy. Let us even bid our dearest friends farewell, and defy them, saying, "Who are you? Unhand me. I will be dependent no more." Ah!
Essays: First Series, passage 1412
[Footnote 525: Shakespeare; or the Poet is one of seven essays on great men in various walks of life, published in 1850 under the title of _Representative Men_. These essays were first delivered as lectures in Boston in the winter of 1845, and were repeated two years later before English audiences.
Essays: First Series, passage 558
An element which unites all the most forcible persons of every country; makes them intelligible and agreeable to each other, and is somewhat so precise, that it is at once felt if an individual lack the masonic sign,[376] cannot be any casual product, but must be an average result of the character and faculties universally found in men. It seems a certain permanent average; as the atmosphere is a permanent composition, whilst so many gases are combined only to be decompounded.
Essays: First Series, passage 947
A rich estate appears to women and children a firm and lasting fact; to a merchant, one easily created out of any materials, and easily lost. An orchard, good tillage, good grounds, seem a fixture, like a gold mine, or a river, to a citizen; but to a large farmer, not much more fixed than the state of the crop.
Essays: First Series, passage 375
The secret of fortune is joy in our hands. Welcome evermore to gods and men is the self-helping man. For him all doors are flung wide: him all tongues greet, all honors crown, all eyes follow with desire. Our love goes out to him and embraces him, because he did not need it. We solicitously and apologetically caress and celebrate him, because he held on his way and scorned our disapprobation. The gods love him because men hated him.
Essays: First Series, passage 1189
[Footnote 246: Vatican, the palace of the pope in Rome, with its celebrated library, museum, and art gallery.]
Essays: First Series, passage 309
The other terror[181] that scares us from self-trust is our consistency;[182] a reverence for our past act or word, because the eyes of others have no other data for computing our orbit[183] than our past acts, and we are loth to disappoint them.
Essays: First Series, passage 700
There are all degrees of natural influence, from these quarantine powers of nature, up to her dearest and gravest ministrations to the imagination and the soul. There is the bucket of cold water from the spring, the wood-fire to which the chilled traveler rushes for safety,--and there is the sublime moral of autumn and of noon.
Essays: First Series, passage 718
It is as easy to broach in mixed companies what is called "the subject of religion." A susceptible person does not like to indulge his tastes in this kind, without the apology of some trivial necessity: he goes to see a wood-lot, or to look at the crops, or to fetch a plant or a mineral from a remote locality, or he carries a fowling-piece, or a fishing-rod. I suppose this shame must have a good reason. A dilettantism[496] in nature is barren and unworthy.
Essays: First Series, passage 1561
[Footnote 695: New arts destroy the old, etc. Tell the ways in which the improvements and inventions mentioned by Emerson have been superseded by others; give the reasons. Mention other similar cases of more recent date.]
Essays: First Series, passage 1293
[Footnote 372: Honors himself with architecture. Architecture was a subject in which Emerson was deeply interested. Read his poem, _The Problem_.]
Essays: First Series, passage 726
It publishes itself in creatures, reaching from particles and spicula, through transformation on transformation to the highest symmetries, arriving at consummate results without a shock or a leap. A little heat, that is, a little motion, is all that differences the bald, dazzling white, and deadly cold poles of the earth from the prolific tropical climates. All changes pass without violence, by reason of the two cardinal conditions of boundless space and boundless time.
Essays: First Series, passage 1244
[Footnote 312: Beaumont and Fletcher. Francis Beaumont and John Fletcher were two dramatists of the Elizabethan age. They wrote together and their styles were so similar that critics are unable to identify the share of each in their numerous plays.]
Essays: First Series, passage 389
Insist on yourself; never imitate.[249] Your own gift you can present every moment with the cumulative force of a whole life's cultivation; but of the adopted talent of another, you have only an extemporaneous, half possession. That which each can do best, none but his Maker can teach him. No man yet knows what it is, nor can, till that person has exhibited it.
Essays: First Series, passage 162
We have listened too long to the courtly muses of Europe. The spirit of the American freeman is already suspected to be timid, imitative, tame. Public and private avarice make the air we breathe thick and fat. The scholar is decent, indolent, complaisant. See already the tragic consequence. The mind of this country, taught to aim at low objects, eats upon itself. There is no work for any one but the decorous and the complaisant.
Essays: First Series, passage 763
Thought, virtue, beauty, were the ends; but it was known that men of thought and virtue sometimes had the headache, or wet feet, or could lose good time, whilst the room was getting warm in winter days. Unluckily, in the exertions necessary to remove these inconveniences, the main attention has been diverted to this object; the old aims have been lost sight of, and to remove friction has come to be the end.
Essays: First Series, passage 1273
[Footnote 350: Jerseys. Consult a history of the United States for a full account of Washington's campaign in New Jersey.]
Essays: First Series, passage 1507
[Footnote 632: Phidian sculpture. Phidias was a famous Greek sculptor who lived in the age of Pericles and beautified Athens with his works.]
Essays: First Series, passage 738
10. This guiding identity runs through all the surprises and contrasts of the piece, and characterizes every law. Man carries the world in his head, the whole astronomy and chemistry suspended in a thought. Because the history of nature is charactered in his brain, therefore is he the prophet and discoverer of her secrets. Every known fact in natural science was divined by the presentiment of somebody, before it was actually verified.
Essays: First Series, passage 913
One living after the maxims of this world and consistent and true to them, the other fired with all divine sentiments, yet grasping also at the pleasures of sense, without submitting to their law. That is a grief we all feel, a knot we cannot untie. Tasso's is no infrequent case in modern biography. A man of genius, of an ardent temperament, reckless of physical laws, self-indulgent, becomes presently unfortunate, querulous, a "discomfortable cousin," a thorn to himself and to others.
Essays: First Series, passage 922
Let him learn a prudence of a higher strain. Let him learn that everything in nature, even motes and feathers, go by law and not by luck, and that what he sows he reaps. By diligence and self-command let him put the bread he eats at his own disposal, and not at that of others, that he may not stand in bitter and false relations to other men; for the best good of wealth is freedom. Let him practise the minor virtues.[684] How much of human life is lost in waiting!
Essays: First Series, passage 984
the debt of money, or the debt of thought to mankind, of genius to nature? For you, O broker, there is no other principle but arithmetic. For me, commerce is of trivial import; love, faith, truth of character, the aspiration of man, these are sacred; nor can I detach one duty, like you, from all other duties, and concentrate my forces mechanically on the payment of moneys.
Essays: First Series, passage 42
Froude in his famous "Life of Carlyle" gives an interesting description of Emerson's visit to the Carlyles in Scotland:
Essays: First Series, passage 850
What point of morals, of manners, of economy, of philosophy, of religion, of taste, of the conduct of life, has he not settled? What mystery has he not signified his knowledge of? What office, or function, or district of man's work, has he not remembered? What king has he not taught state, as Talma[642] taught Napoleon? What maiden has not found him finer than her delicacy? What lover has he not out-loved? What sage has he not outseen?
Essays: First Series, passage 962
Each new step we take in thought reconciles twenty seemingly discordant facts, as expressions of one law. Aristotle and Plato[701] are reckoned the respective heads of two schools. A wise man will see that Aristotle platonizes. By going one step farther back in thought, discordant opinions are reconciled by being seen to be two extremes of one principle, and we can never go so far back as to preclude a still higher vision.
Essays: First Series, passage 90
They pin me down.[26] They look backward and not forward. But genius always looks forward. The eyes of man are set in his forehead, not in his hindhead. Man hopes. Genius creates. To create,--to create,--is the proof of a divine presence. Whatever talents may be, if the man create not, the pure efflux of the Deity is not his;[27]--cinders and smoke there may be, but not yet flame.
Essays: First Series, passage 1206
[Footnote 271: Sir John Franklin (1786-1846?), celebrated English navigator and Arctic explorer, lost in the Arctic seas.]
Essays: First Series, passage 1495
[Footnote 618: Blackfriar's Theater. A famous London theater in which nearly all the great dramas of the Elizabethan age were performed.]
Essays: First Series, passage 867
And the true bards have been noted for their firm and cheerful temper. Homer lies in sunshine; Chaucer is glad and erect; and Saadi says, "It was rumored abroad that I was penitent; but what had I to do with repentance?" Not less sovereign and cheerful,--much more sovereign and cheerful, is the tone of Shakspeare. His name suggests joy and emancipation to the heart of men. If he should appear in any company of human souls, who would not march in his troop?
Essays: First Series, passage 384
I have no churlish objection to the circumnavigation of the globe, for the purposes of art, of study, and benevolence, so that the man is first domesticated, or does not go abroad with the hope of finding somewhat greater than he knows. He who travels to be amused, or to get somewhat which he does not carry,[242] travels away from himself, and grows old even in youth among old things. In Thebes,[243] in Palmyra,[244] his will and mind have become old and dilapidated as they. He carries ruins to ruins.
Essays: First Series, passage 584
They are the sowers, their sons shall be the reapers, and _their_ sons, in the ordinary course of things, must yield the possession of the harvest, to new competitors with keener eyes and stronger frames. The city is recruited from the country. In the year 1805, it is said, every legitimate monarch in Europe was imbecile. The city would have died out, rotted, and exploded, long ago, but that it was reinforced from the fields.
Essays: First Series, passage 1137
[Footnote 174: "By their fruits ye shall know them."--_Matthew_, vii. 16 and 20.]
Essays: First Series, passage 1128
[Footnote 162: Eclat, a French word meaning _brilliancy of success_, _striking effect_.]